And, also I study from Rinko Kawauchi square format.
kawauchi's themes
of family, human interaction with nature and the cycle
of life are photographed in pastel colours.
her work reveals exquisite delicacy, achieved through sensate
compositions, a careful attention to texture and the cultivation
of a beautifully clear, clean, often whitish light.
she interweaves sensitized ways of perceiving the world
around her, with the fleeting conflations of forms that make
you wonder how one photographer mangaged to be present,
attuned and ready to photograph so many pungent
observations. once rinko kawauchi said:
‘for a photographer, it's a necessity that you can shoot stuff
magically. accidents are necessary, but after I take a
photograph, it is not all done. I continue to work on it.’
she suggests that the editing and presentation of the work
is as important to the final image as composing and taking
the photograph itself. at times she presented her work
alongside her own haiku poetry.
of family, human interaction with nature and the cycle
of life are photographed in pastel colours.
her work reveals exquisite delicacy, achieved through sensate
compositions, a careful attention to texture and the cultivation
of a beautifully clear, clean, often whitish light.
she interweaves sensitized ways of perceiving the world
around her, with the fleeting conflations of forms that make
you wonder how one photographer mangaged to be present,
attuned and ready to photograph so many pungent
observations. once rinko kawauchi said:
‘for a photographer, it's a necessity that you can shoot stuff
magically. accidents are necessary, but after I take a
photograph, it is not all done. I continue to work on it.’
she suggests that the editing and presentation of the work
is as important to the final image as composing and taking
the photograph itself. at times she presented her work
alongside her own haiku poetry.
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